Diario ABC:
«A sweet, rounded voice, light but with body and squillo, with plenty of range and great beauty, achieving exquisite pianos and showing impressive talent for agility and coloratura... There was a great and well-deserved ovation and shouts of ‘Bravo’. In fact she was the great success of the evening... In short, on Sunday, a star was born.»
20
March
El Mundo:
«Maria Eugenia Boix, with beautiful timbre and colour, singing with exquisitely captivating subtlety.»
20
March
Mundoclásico:
«Maria Eugenia Boix’s Pamina was the best thing about the evening. The material is pure lyricism, with many possibilities, and her emission is excellent, allowing her to provide us with the magic moment of the evening: her aria ‘Ach, ich fühl’s’. The sotto voces and pianissimos were exemplary.»
20
March
El Mundo:
«The mysterious delicacy with which Eugenia Boix sang even gave Purcell the roundness of a luminous southern sun.»
20
March
Ópera actual:
«Maria Eugenia Boix offered a very seductive, idealised version in an inspired and very exotic melodic vein. On top of her personal charm, she showed fine dramatic talent for communicating emotions and a voice with a beautiful timbre and good registers in the lyrical repertoire.»
20
March
Mundoclásico:
«Maria Eugenia Boix, a soprano with immaculate technique, beautiful timbre and amazing composure on stage. When she sang, she seduced the audience with her stage presence, charm and comic touches.»
20
March
Heraldo de Aragón:
«Boix, as Norina, showed off a well-defined line of singing, securely and decisively triumphant with the high notes, with perfect pitch, balance between registers and tremendous expressiveness. Brava!»
20
March
Diario de Sevilla:
«Maria Eugenia Boix was bursting with charm and sensuality.»
20
March
Heraldo de Aragón:
«Pure phrasing, very precise natural fiato and tremendous delicacy of expression: Eugenia Boix, spectacular on stage, made an impact with some outstanding Mozart.»
20
March
Ópera actual:
«Maria Eugenia Boix has a versatile voice and beautiful lyrical soprano timbre. Her recreation of the aria ‘Eccomi in lieta vesta. Oh quante volte de I Capuleti e i Montecchi’ was a dream, ending in an exultant climax.»
20
March
Ópera actual:
«Gifted with a transparent voice that rises easily, with a smooth, warm centre, she elegantly points out the rhymes given a suggestive colour and lyricism by the music, and especially the voice, without the poetry losing one iota of its intent or message.»
20
March
Audioclásica:
«With Liszt’s lied for soprano and piano O quand je dors in which the soprano Maria Eugenia Boix showed a delicate vocal timbre in the pianissimi of the score, together with splendid mastery of the fiato.»
20
March
Scherzo:
«Maria Eugenia Boix’s voice is an important, transparent and beautiful one, coming through in an excellent recital rewarded by the audience with vigorous rounds of applause.»
20
March
Heraldo de Aragón:
«Maria Eugenia Boix, with her lovely lyrical timbre, boundless elegance and the right musicality for this sacred repertoire, with great vocal brilliance.»
20
March
Ópera actual:
«Maria Eugenia Boix was a self-assured Norina with a feeling for fine singing allowing her to play with shades and dynamics and a special taste for legato phrasing and skilful use of coloratura.»
20
March
Beckmesser:
«Maria Eugenia Boix delighted us throughout the recital with an impeccable and very expressive singing style, elegant and without exaggerating the sentimentality, with fantastic use of regulators.»
20
March